I'm a Professor of Sensory and Behavioural Ecology at Queen Mary College of the University of London and also the founder of the Research Centre for Psychology at Queen Mary. I've been fascinated by the strange world of insects since childhood and after taking the first glance into a beehive, I was hooked – I instantly knew that I was looking into a form of alien civilization. Since becoming a scientist, I have explored their strange perceptual worlds as well as their intelligence, and most recently the question of their consciousness. I hope you find wonderful insights in the books that I have suggested and a new respect for the animal minds that surround us. 

I have always been fascinated with bodies: the meaning we make of them; the suffering, joy, and indignities we receive through them; the outer limits of what we can do to and with them. I’ve worked in careers that have asked a lot of my own body, and I write about the brutalities humans inflict upon our own and other bodies. My work is obsessed with questions of how and why we endure suffering. Also, I’ve done a lot of dumb shit to and with my own body that has given me (in addition to a lifetime of medical problems) a highly specific perspective about intensity, hazard, and pain.

I’m a professor of Roman history who teaches and writes about the social world of the ancient Romans. I’m drawn to the topic of ancient Rome because it seems simultaneously familiar and alien: the people always “feel real” to me, but the many cultural differences between Rome and modern America prod me to contemplate those aspects and values of my own world that I take for granted. I enjoy the high moral stakes of the political machinations as well as the aesthetic beauty of the artistic creations of Rome. And the shadow of Rome still looms large in American culture, so I find the study of antiquity endlessly instructive.

I am an award-winning, national best-selling author who loves reading as much as I love writing. Combine that with a good, smooth bourbon and it’s a win-win. Like my literary journey, my love for bourbon has been filled with surprises and challenges. Romance writing found me. I didn’t go looking for it. The journey introduced me to great writers and amazing stories and taught me to write better. Distilleries could extol the health benefits of bourbon, but I discovered it can be subtle, soul-searing, and pairs beautifully with a good meal and an even better book. Like my writing, bourbon leaves you feeling like you’ve had a great meal and threw in dessert!

I have been hooked on fantastic tales since I picked up my first Marvel Comic book. I was in on the beginning of The Fantastic Four, Spiderman, and the Hulk. Gamma rays and human angst are a powerful combination, even for an eight-year-old. From there I gobbled up the Doc Savage series before moving on to more popular books like The Exorcist and The Godfather. I have been writing since I was ten. My first publication came decades later. Non-fiction works on the history of the Southwest. Yet recently I returned my to roots, rediscovering Bradbury, Dick, and Herbert. That is when the eight-year-old boy woke up and wrote The Last Day Before Forever. 

I fell in love with understanding cities toward the end of my college studies. It was the late 1960s and urban issues were foremost in the nation’s consciousness. The times were difficult for cities and many of the problems, seemingly intractable. That drew me to graduate work in urban studies and afterward, teaching about real estate development and finance. My work on public/private partnerships and the political economy of city building has drawn a wide audience. In explaining how cities are built and redeveloped, my goal has been to de-mystify the politics and planning process surrounding large-scale development projects and how they impact the physical fabric of cities.

I’m a nerd who fights. Started my professional life as a programmer, then switched to telling stories in advertising and entertainment. But my passion for technology and martial arts have always played a role in my life. Influenced by my father’s stories about judo, I studied a lot of styles of fighting, including kung fu, karate, Brazilian Jiu Jitsu, and also dabbled with boxing, Muay Thai, capoeira, taichi, bagua, Silat, and judo. Along that journey, one of my favorite ways to learn was by watching my female training partners, and how they had to develop a much more nuanced and sophisticated technique. An experience that would later inspire the birth of The Girl from Wudang.

It seems that all of the fictional main characters I create have anti-hero tendencies. There is always some voice in their head telling them to do right when they are expected to do wrong, or to do wrong when it is supposed they will do right. I find this flaw very compelling, and universal for those of us of flesh and blood. Do sneering, evil characters exist? Well, maybe, but they aren’t very interesting, and I think a weak trope.

I have always loved reading about individuals and the ways they behave in extraordinary or unusual circumstances. Stories that are about a person growing up and coming to an understanding that the world around them is deeply flawed, and that they themselves are patched-up, imperfect creatures, fascinate me. I find myself observing people and the words they say. Those are the kinds of stories I write, about regular people stumbling along and discovering some truths about themselves.

I'm a former novelist who now writes historical narrative nonfiction, mainly about American cities and the people who give them life. Each book focuses on an important turning point in the history of a specific metropolis (I've written about Chicago, New Orleans, Los Angeles, and San Francisco), often when the city goes from being a minor backwater to being someplace of significance. And I try to tell this story through the lives of real individuals who help to make that transformation happen. My goal is to use the skills I developed as a fiction writer to create historical narratives that maintain strict standards of scholarship while being as compelling and compulsively readable as novels.

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