I am an economics professor who believes my profession has important things to contribute to society but has done a poor job. My colleagues spend much of their time writing esoteric articles that 6 other academics will read, and one in a million will actually improve the lives of people.

I consider myself a “blue-collar academic”; I am basically a farm kid (still live on a small farm) with a bunch of degrees attempting to bring good economic insights to more people so those ideas can be applied and used by real people living real lives so I am always on the search for others who are doing just that.

As both an author and a teacher, I’ve been using Howard Zinn’s iconic book for over 20 years. I have found it to be an effective counterweight to more orthodox texts, as well as a credible platform for stimulating discussion.

In writing my own “guide” to U.S. history, I always kept Zinn in mind. While we may not always agree, the dissonance is something I’m certain Howard Zinn would appreciate. He was unafraid to "engage" with his subject matter and his readers. This is an inspiration.

I stumbled across Jane Austen’s Pride and Prejudice when I was twelve years old and fell in love with her humorous, witty writing and quirky characters. I saved my allowance and bought an omnibus of her complete works, but it wasn’t enough: I was hooked and wanted to read more books like hers.

A decade later, I started to write books like hers, and my first Regency-set romantic comedy was published in 2001. The movie Mr. Malcolm’s List, based on my novel, was released in theaters in 2022, and I had the pleasure of hearing people laughing as they watched it, as I had so often laughed while reading Austen’s work.

Writing my first book, I found out how dependent my thinking about the world beyond my doorstep was on language made up by engineers (“Please don’t block the driveway”).

Engineering language defined how I saw the street. It was a shock to realize how severely this had limited my thinking about public space but also a liberation to become aware of this: now I could perceive streets in completely new and different ways. The books I recommend all have made me perceive the world differently. I hope they do the same for you. 

I’ve been a fanatic of horror, especially Gothic horror since I was about eight years old when I read all of Poe’s short stories. It’s the genre I read most often and the one I’m dedicated to writing about.

For me, the most effective horror novels have a setting that is as rich and fully developed as any of the characters. You can battle vampires, zombies, and all of the other delightful monsters out there, but how do you battle what’s trapped in the walls around you? How do you fight a home that hates you? Or one that loves you too much to let you go? It’s endlessly fascinating.

I grew up in a house of books. Bookcases in almost every room. At an early age, I discovered some great ones that were usually recommended by my dad. The Odyssey. Tarzan of the Apes. Princess of Mars.

It is a long, long list, and I won’t give you all my faves—but one thing about it: I was drawn to books with heroes, particularly when those heroes were clearly good. There are no shades of gray for me. I like my heroes to have honor and humility and to always strive to do the right thing.

I feel compelled to write political works when I see an injustice, violation, corruption, or travesty that needs to be addressed. It's possibly the result of my heritage as a citizen of a British-colonized country and the child of parents from a Christian-colonized slice of a continent.

As a journalist, I experienced censure and censorship by editors who wished to maintain their held beliefs about certain people, races, issues, and subjects. As a novelist, I was rejected by mainstream publishers for writing deemed too political. However, I made a commitment as a writer not to change my words to appease publishers or editors because it made them uncomfortable.

I am a professor of sociology at the University of Chicago, and I am interested in global capitalism, financial elites, and all aspects of how people broker capital deals. I am a scholar of anti-heroes who studies all of the ways that people play in the gray.

My first book, Dealing in Desire, is an ethnography where I embedded myself in several different hostess bars to study the relationship between sex work and financial deal-making. I grew up in California but have lived most of my adult life in Ho Chi Minh City, Houston, Boston, and Chicago.

I’ve loved Gothic fiction since I was a teen, though back then, I didn’t know it was Gothic. I just liked the creepiness, the often-isolated heroine, and the things-aren’t-what-they-seem murkiness of the stories.

One of my first reads was Jane Eyre, which has remained a favorite. Though I didn’t like history in school (too much memorization!), I read several historical fiction books from different eras that fascinated me. These things, combined with another genre favorite—mystery/thriller, led to my first book. It turns out that all those things I’d gravitated to in my decades of reading became the things I most wanted to write about - mystery/thriller historical fiction with elements of Gothic.

I currently spend my time researching (and worrying about) nuclear war and how to stop it from ever happening. I live about 25 miles away from where the UK’s nuclear weapons are based, so I have a very personal interest in making sure that nuclear war never becomes a reality!

As a lecturer at the University of Glasgow I’m also embarking on a four-year research fellowship with over £1 million in funding where I will be leading a team of experts to research how to improve nuclear arms control and disarmament. So keep in touch if you want to reduce the risk of nuclear war and ban the bomb!