I'm an Italian-born writer living in Minneapolis. I experienced being an outsider early on in my childhood when my family moved from Naples to Este, a small town in the hills near Venice. My fascination with language started then as I had to master the different Northern dialect. I was a listener rather than a talker. My shyness was painful in life but turned out to be a gift as a writer. When I left Italy for America, once again I was an outsider, too visible or invisible, and facing a new language. I relate to estrangement and longing, but I treasure that being an outsider still gives me a sense of wonder about reality.

I am a woman and so like all of us who have lived long enough, I have been pushed to the edge. I’m fascinated with what society tells us we are and are not meant to feel or express. In part this is because I teach emotional intelligence and empathy, also because I am the mother of four and the more emotional literacy I have, the richer my life is. I’m not interested in having any emotions disavowed for anyone of any gender. I teach wholehearted leadership with my company Pilot Light and also speak to school students and other groups about feminism, gratitude, courage, pornography, creativity, overwhelm, and vulnerability. 

I am a philosopher, neuroscientist, geostrategist, and futurologist. My work at the Geneva Centre for Security Policy, St. Antony’s College, and the World Economic Forum (as a member of the Global Future Council on the Future of Complex Risks) focuses on transdisciplinarity, with an emphasis on the interplay between philosophy, neuroscience, strategic culture, applied history, technology, and global security. I am particularly interested in the exponential growth of disruptive technologies, and how they have the potential to both foster and hinder the progress of human civilization. My mission is rooted in finding transdisciplinary solutions to identify, predict and manage frontier risks, both here on earth and in Outer Space.

I have spent my professional career attempting to reform the justice system and create safer communities. For nearly two decades, I served as the executive director of the Center for Court Innovation (now the Center for Justice Innovation). Now, I co-edit a policy journal called Vital City that attempts to spark new thinking about how to achieve public safety. Over the years, I have worked with numerous city, state, and federal officials. I have seen that most of the people working within government are trying their best in difficult circumstances. I have also seen that it is enormously difficult to change government systems and solve complicated social problems.

Because I grew up in the 1950s and ’60s, my supply of heroes was liberally doled out by the 130+ Western series that dominated nighttime television in those decades. My parents allowed me one program per week. It was a Western. I was soon interested in history, to know what really did happen in the American West, and so I came to understand the great discrepancies between fact and TV. The truth, for me, is so much more interesting than the myth. As a Western historian, I've done my share of historical research, but I still gravitate toward fiction as a writer. I love the freedom to engage my characters’ thoughts and emotions.

During my career, I’ve worked on projects large and small (1 - 60+ people) in a wide variety of fields (like repair dispatch, ticket sales, and professional football coaching--the NFL kind not the FIFA kind). All of them, and particularly the big ones, were like antique clocks: they had lots of moving pieces and if any piece broke, the whole thing wouldn’t work. (Unfortunately, failed software projects don’t look nice on your mantelpiece.) In this list, I’ve tried to pick some books that you might not discover if you look only for programming books. Read those, too, but don’t ignore the more human-oriented dimensions of software development. Hopefully you’ll find these choices interesting and useful.

I read Tinker Tailor Soldier Spy for the first time many years ago, while traveling aboard a Canadian National Railway train from Montreal to British Columbia. Something about the contrast between the majestic Canadian Rockies and the dark alleys of John Le Carré’s Berlin brought the Cold War fully to life and set me on the path to writing a novel of my own set during that time. (Living through some of those tense years of superpower stand-offs didn’t hurt.) My westward-bound reading experience rekindled interest in that troubled time, long after watching Secret Agent, the classic British TV show, and extending perhaps as far back as “Spy vs. Spy” in Mad Magazine.

I was born in the Bronx, New York. I arrived in Paris, France at the age of 32. Thought I would stay for one year. That was thirty years ago. I'm still in Paris, and the author of a memoir, a play, and seven novels. Many of my novels fit the term "social thriller," popularized by Jordan Peele to define his ground-smashing classic film Get Out. Peele identified a genre that has been with us, particularly when it comes to crime fiction, for a long time. I've always been fascinated by dark, suspenseful stories that explore the nature of greed, of racism, of political power. And how the three are so often wrapped around each other.

I fell in love with technology when I wrote my first computer program at age 14 when there was no public Internet, no personal computers, no iPhone, no cloud. I have made technical contributions to every era of computing from mainframes, to PCs, Internet, Cloud, and now AI. I was recently elected to the National Academy of Engineering. AI currently surpasses my wildest imagination on the art of what’s possible. I'm still passionately working in technology at Google focused on how to live healthier lives. I believe we can make AI the telescope of the future, to helping everyone live long and healthy lives.

I'm a death professional who lives in a world where nobody wants to talk about my specialist subject, so I hoover up any books that discuss mortality and our relationship to it. To do my job well, I need to face death on a daily basis in a matter-of-fact way, without losing that reverence, but equally not getting lost in the reverence because there is plenty to smile at, laugh at and be brutally honest about. These things make me the rounded human that is needed to perform the task well and the kind of people who write these books typically embody those qualities and inspire me. I hope they can inspire you too.

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