After my Grandfather died in 2000 I set myself the challenge of building as complete a picture as I could of his incredible life story. He had travelled by foot across occupied Europe and the Middle East in 1940, before fighting on the front line in France, and ultimately behind enemy lines in Czechoslovakia. I envied his life experience and the high stakes he was required to live his life by, whilst also being grateful for the peace that he and others like him had delivered to my generation. Whether reading or writing I’m captivated by true stories of courage and fortitude aiming to immerse myself in them. 

I’ve been doing large-scale software development at great US businesses from the introduction of the PC to the cloud explosion. From my earliest successes (online banking at US Bank in 1985!) to my biggest failures (Wells Fargo “Core” disaster in 2006), I’ve always sought better ways of doing things. These five books all were important to my learning and remain highly relevant, and I hope you find them useful as well. 

I'm a New Yorker with a background in the performing arts. Though a lifelong reader and bookstore loiterer, my early writing career was focused on the stage as well as the pursuit of a career in screenwriting. This led to many years writing and producing theatre as well as working in film and TV both as a writer and in production. The books I've chosen, I feel influenced the American language in the last century, an influence reflected in the tone of the novels and films from that period described by scholars as “Between the Wars.” It's a period that fascinates me for it exists now only in books and movies and is therein preserved.

I grew up in historic old houses. They were haunted too. (Think things that went bump in the night and were rife with the unexplained.) My imagination didn’t stand a chance and caught on fire. Later, I chose history as a career path with research as the job—which is really just solving mysteries. My fiction writing naturally extended from these beginnings and remains heavily influenced by the past. A bonus to the mix is the Celtic storytelling DNA coursing through my veins. I read and write stories that blend the mysterious with the historic and am especially inspired by all things gothic. I'm the author of The Spinster’s Fortune and Campbell’s Boy (out November 2022).

Having grown up in a family of crime-fiction readers, I published my first murder mystery in 2019 and have created two bestselling series. My 1920s-set “Lord Edgington Investigates…” books have been a big hit for me, and I’ve just published my third Christmas book overall. But that’s not the only reason I’m qualified to recommend Christmassy whodunits. I am obsessed with Christmas and, with a little help from my four-year-old daughter, spend far too much time decorating every December. Let’s just say that my Christmas Lego village is already out of control, and someone really needs to stop me from buying any more before it takes over our house.

I’m one of those odd people who always needs to know why. Why do computers work, why do societies break down? Why do humans kill? Why are cat videos so irresistible? All of those questions explore what it means to be human, but science fiction takes those questions to the extreme, pitting people against the most extreme environments and situations in order to see how they’ll react. To me, that never grows old, and the books I love the most are the ones that do it the best. In my humble opinion, of course.

Having been a teacher for many years, I have had the great fortune to be surrounded by young people most of my adult life. As a result, I’ve been witness to countless moments reflecting the struggles of teenagers facing various challenges in their lives. Without question, one of the most painful is having to grapple with loss, and regardless whether it involves a friend, a family member, a home, an opportunity, or any number of other misfortunes, the act of facing and rising above that loss is often character-defining. I will always be grateful to my many students whose candour and courage have both inspired me and informed my own writing.

Even though I have not lived in the Midwest for fifty years, I remain a Midwesterner. It is in how I speak (adding an “r” to wash), what I like to eat (Cincinnati chili), and explains my favorite smell (the inside of a barn). Both as a reader and writer, I want to know where the story is “from.” What does this place look like? Smell like? What is the cadence of the characters’ speech? All this translates into an immersive experience and that is something I look for both in a book I pick up and in one I write. 

My exploration of the cosmic, the horror of the infinite, and the darkness of the world began with my earliest Sunday School memories in the Evangelical Church. Horrific tales of the End Times evoked in me what Coleridge called “the fascination of the abomination,” and once I shed the dogma, all that once terrified became a source of creativity viewed from a different angle. What I previously sought to understand and make rational, I was able to accept as wonderfully inscrutable. Old horrors now bring comfort and inspire a sense of awe at the vastness of the unknowable and the possibilities of it all. There’s beauty to be made and found in the dark.

As a child, I was fascinated with astronomy but discouraged from investigating the UFO phenomenon due to religious reasons. Not until I was in my forties, did I begin to see the strange Biblical hints of what ended up in my writing my book UFOs In The Bible. Along the way, my research led me to diverse related topics including Sumerian mythology and astrobiology which have resulted in a few more books (and more to come). I see logic as a fundamental tool for this line of investigation, and so, I embrace books that engage with the evidence logically. I firmly believe we must all make room for experiencers to tell their stories without recrimination.